
DragonBall GT Credits
Here we have compiled all of the credits for the DragonBall GT TV series (incl. TV specials), as translated from the episodes themselves. The opening credits listed the series staff, such as the author, main production staff, main animation staff, and the series director, while the ending credits list all of the remaining cast and crew involved in that specific episodes production. These credits were superimposed over animated or static scenes and set to theme music, creating the opening and ending animations. In total, DragonBall GT had two opening animations and four ending animations.
 Original Author |
 Series Director |
 Voice Performances |
 Episode Director |
The credits are listed in order of appearance and then organized by episode. Click the credit title for more information regarding that specific credit. To view the themes, you may either follow the linked credit title below or view the "Theme Guide". Credits from a specific episode can be found in the "Episode Guide".
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企画 Planning The series planners are responsible for taking the original idea or concept from a manga series and help it make the transition to animation. They often choose what part of the story to do, help choose the staff, and bring everything together so that the staff can begin the production process. This position is held by a Toei Animation producer, although Fuji TV producers do sometimes also hold this position, but their affiliation is specifically stated. Typically, the Fuji TV producers are listed separately, as shown below.
清水賢治 / Shimizu Kenji 1 – 26
森下孝三 / Morishita Kouzou 1 – 64; SP
蛭田成一 / Hiruta Seiichi 27 – 41; SP
河合 徹 / Kawai Tooru 27 – 64; SP
吉田竜也 / Yoshida Tatsuya 42 – 64
原作 Original Author The original author, or original creator, is the person who came up with the original concept for the story. In every DragonBall property, this credit is given to Toriyama Akira, with a sub-credit for the serialization of the manga in Shueisha's Weekly Shounen Jump. The original author would often attend production meetings to provide input on the progression of the series, as well as give general thoughts on expanding upon the original material and even providing character designs for filler characters. However, it is hard to say how much input Toriyama actually had in that respect. Although based on some of his production drawings that have been published, we know he at least had some input in the production process.
鳥山 明 / Toriyama Akira 1 – 64; SP
連載 Serialization
集英社 (週刊少年ジャンプ) / Shueisha (Weekly Shounen Jump) 1 – 64; SP
製作担当 Production Supervisor The production supervisor is a Toei Animation producer that oversees the production process of the anime. They ensure that everything is on schedule and that deadlines are met so that each episode will be finished in time for broadcast on Fuji TV.
末永雄一 / Matsue Yuuichi 1 – 64; SP
シリーズ構成 Series Organization The series organizer is the person who determines the overall plot of the series. Many meetings are held with the series director, original author, and other relevant personnel to chart the direction and feel they would like the anime to take. Following this, they will draft an overview plot of the series, broken down into episodes. When the overall series plot is finalized, the series organizer tasks the scenario writers, which often includes themselves as well, with writing scripts for each episode.
松井亜弥 / Matsui Aya 1 – 64; SP
音楽 Music The music credit is given to the main series composer. They are responsible for composing and arranging all of the incidental music, or background music, for the series.
徳永暁人 / Tokunaga Akihito 1 – 64; SP
キャラクターデザイン Character Design The character designer is in charge of creating detailed character designs and in essence, every aspect of the animation side of production. Unlike the animation supervisor, who only checks and corrects the key animation, the character designer is responsible for checking and correcting all of the animation and ensuring the final product looks as uniform as possible. Once the chief animator has approved a set of drawings, they can finally be traced onto celluloid sheets. Beyond this point, no more corrections to the animation will be made.
中鶴勝祥 / Nakatsuru Katsuyoshi 1 – 64; SP
美術デザイン Art Design The art designer is in charge of all artistic aspects of the series and is responsible for creating detailed set and item designs. The art designer will create or update "design packs" of layouts and distribute them to all of the animators. This position is typically held by an art director and in some cases they perform both roles on a single episode.
辻 忠直 / Tsuji Tadanao 1 – 64; SP
吉池隆司 / Yoshiike Ryuuji 1 – 64; SP
テーマ Themes All theme credits for DragonBall Z can be viewed in the " Theme Guide".
シリーズディレクター Series Director The series director is responsible for the overall look and feel of the series and oversees almost every aspect of the production process. Almost everything must meet their approval before moving forward. They are also responsible for creating storyboards, which are sequential drawings detailing the major scenes of the series, essentially a visual script. These storyboards include information about dialogue, music, camera work, and serve as a basis for the animators to create their layouts and key drawings.
葛西 治 / Kasai Osamu 1 – 64; SP
プロデュサー Producer This producer works directly for the broadcasting company, Fuji TV, and is involved in the planning stages of production. They provide input on how they feel the show should look and feel from a marketability standpoint, along with how it should be produced. Overall, they are more-so involved in the business aspect of the series. After episode 26, the individual producer credit was no longer listed but instead grouped in with the "Planning" credit at the beginning of the opening credits.
金田耕司 / Kaneda Kouji 1 – 26
蛭田成一 / Hiruta Seiichi 1 – 26
制作 Production This credits lists all of the main companies responsible for the production of the anime series, all of which are typically copyright holders of all parent material.
フジテレビ / Fuji TV 1 – 64; SP
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協力 In Cooperation With This credit is always shown immediately after the "Voice Performances" credits as Aoni Productions is the main voice talent agency used by Toei Animation. However, not all cast members are associated with this company and are brought in from other companies to voice a specific role.
青二プロ / Aoni Productions 1 – 64; SP
録音スタジオ Recording Studio This credit is given to TAVAC (Toei Audio Visual Art Center), the studio owned by Toei where all of the audio (music, sound effects, voices, etc.) for the series is recorded.
現像 Film Development This credit is given to Toei Chemistry (now Toei Labo Tech), the company owned by Toei where all of the film for the series was developed.
東映化学 / Toei Chemistry 1 – 64; SP
Major CreditsThis listing provides full credits for all of the major series staff responsible for the overall look and feel of each episode. These include: Public Relations, Scenario, Art, Animation Supervisor, and Director.
アニメーション信用 Animation Credits This listing provides full credits for all of the main animation staff and studios for DragonBall GT.
Minor Visual CreditsThis listing provides full credits for all of the minor visual staff responsible for assisting the main visual staff with the visual/animation aspects of each episode. These include: Color Design, Color Coordination, Inspection, Special Effects, Photography, Editing, Assistant Director, Production Progression, Art Progression, Finishing Touches Progression, and Storyboard.
Minor Audio CreditsThis listing provides full credits for all of the minor audio staff responsible for assisting the main audio staff with the audio/sound aspects of each episode. These include: Recording, Sound Effects, Music Selection, and Audio Director.
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Information/Images by: Hujio
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