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DragonBall Credits



Here we have compiled all of the credits for the DragonBall TV series, as translated from the episodes themselves. The opening credits listed the series staff, such as the author, main production staff, main animation staff, and the series director, while the ending credits list all of the remaining cast and crew involved in that specific episodes production. These credits were superimposed over animated or static scenes and set to theme music, creating the opening and ending animations. In total, DragonBall had two opening animations and four ending animations.


Original Author

Series Director

Voice Performances

Episode Director

The credits are listed in order of appearance and then organized by episode. Click the credit title for more information regarding that specific credit. To view the themes, you may either follow the linked credit title below or view the "Theme Guide". Credits from a specific episode can be found in the "Episode Guide".


Opening Credits
企画
Planning
The series planners are responsible for taking the original idea or concept from a manga series and help it make the transition to animation. They often choose what part of the story to do, help choose the staff, and bring everything together so that the staff can begin the production process. This position is held by a Toei Animation producer, although Fuji TV producers do sometimes also hold this position, but their affiliation is specifically stated. Typically, the Fuji TV producers are listed separately, as shown below.
七條敬三 / Shichijou Keizou
1 – 153
森下孝三 / Morishita Kouzou
132 – 153

原作
Original Author
The original author, or original creator, is the person who came up with the original concept for the story. In every DragonBall property, this credit is given to Toriyama Akira, with a sub-credit for the serialization of the manga in Shueisha's Weekly Shounen Jump. The original author would often attend production meetings to provide input on the progression of the series, as well as give general thoughts on expanding upon the original material and even providing character designs for filler characters. However, it is hard to say how much input Toriyama actually had in that respect. Although based on some of his production drawings that have been published, we know he at least had some input in the production process.
鳥山 明 / Toriyama Akira
1 – 153

連載
Serialization
集英社 (週刊少年ジャンプ) / Shueisha (Weekly Shounen Jump)
1 – 153

シリーズ構成
Series Organization
The series organizer is the person who determines the overall plot of the series. They will typically acquaint themselves with the story material by reading the manga. Many meetings are held with the director, original author, and other relevant personnel of the source material to chart the direction and feel they would like the anime to take. Following this, they will draft an overview plot of the series, broken down into episodes. When the overall series plot is finalized, the series organizer tasks the scenario writers, which often includes themselves as well, with writing scripts for each episode. As the manga progresses, the series organizer oversees the creation of filler stories to ensure that the original author has plenty of time to develop more original material, which will later be incorporated into the anime.
小山高生 / Koyama Takao
132 – 153

音楽
Music
The music credit is given to the main series composer. They are responsible for composing and arranging all of the incidental music, or background music, for the series.
菊池俊輔 / Kikuchi Shunsuke
1 – 153

チーフアニメーター
Chief Animator
The chief animator is in charge of all aspects of the animation side of production. Unlike the animation supervisor, who only checks and corrects the key animation, the chief animator is responsible for checking and correcting all of the animation and ensuring the final product looks as uniform as possible. Once the chief animator has approved a set of drawings, they can finally be traced onto celluloid sheets. Beyond this point, no more corrections to the animation will be made. This position is held by an animation supervisor and in some cases they perform both roles on a single episode.
前田 実 / Maeda Minoru
1 – 153

チーフデザイナー
Chief Designer
The chief designer is responsible for creating detailed character, set, and item designs. The designs must be very specific and detailed, including facial expressions, colors, and clothing, to ensure that the animators know exactly how a certain character or item should be drawn. The chief designer will create or update "design packs" and distribute them to all of the animators. This also helps the chief animator and animation supervisor, as the animation is more likely to be uniform, making their jobs a little easier. This position is typically held by an art director and in some cases they perform both roles on a single episode.
辻 忠直 / Tsuji Tadanao
1 – 153
池田祐二 / Ikeda Yuuji
102 – 153

テーマ
Themes
All theme credits for DragonBall can be viewed in the "Theme Guide".

シリーズディレクター
Series Director
The series director is responsible for the overall look and feel of the series and oversees almost every aspect of the production process. Almost everything must meet their approval before moving forward. They are also responsible for creating storyboards, which are sequential drawings detailing the major scenes of the series, essentially a visual script. These storyboards include information about dialogue, music, camera work, and serve as a basis for the animators to create their layouts and key drawings.
岡崎 稔 / Okazaki Minoru
1 – 153
西尾大介 / Nishio Daisuke
1 – 153

フジテレビプロデュサー
Fuji TV Producer
This producer works directly for the broadcasting company, Fuji TV, and is involved in the planning stages of production. They provide input on how they feel the show should look and feel from a marketability standpoint, along with how it should be produced. Overall, they are more-so involved in the business aspect of the series.
土屋登喜蔵 / Tsuchiya Tokizou
1 – 101
清水賢治 / Shimizu Kenji
1 – 28, 92 – 153
石川順一 / Ishikawa Junichi
132

制作
Production
This credits lists all of the main companies responsible for the production of the anime series, all of which are typically copyright holders of all parent material.
フジテレビ / Fuji TV
1 – 153
東映 / Toei
1 – 153


Ending Credits
Voice Performances
All voice performances and voice actor (seiyuu) credits can be viewed in the "Cast Guide".
協力
In Cooperation With
This credit is always shown immediately after the "Voice Performances" credits as Aoni Productions is the main voice talent agency used by Toei Animation. However, not all cast members are associated with this company and are brought in from other companies to voice a specific role.
青二プロ / Aoni Productions
1 – 153

録音スタジオ
Recording Studio
This credit is given to TAVAC (Toei Audio Visual Art Center), the studio owned by Toei where all of the audio (music, sound effects, voices, etc.) for the series is recorded.
タバック / TAVAC
1 – 153

現像
Film Development
This credit is given to Toei Chemistry (now Toei Labo Tech), the company owned by Toei where all of the film for the series was developed.
東映化学 / Toei Chemistry
1 – 153

Major Credits
This listing provides full credits for all of the major series staff responsible for the overall look and feel of each episode. These include: Production Supervisor, Public Relations, Scenario, Art, Animation Supervisor, and Director.

アニメーション信用
Animation Credits
This listing provides full credits for all of the main animation staff and studios for DragonBall.

Minor Visual Credits
This listing provides full credits for all of the minor visual staff responsible for assisting the main visual staff with the visual/animation aspects of each episode. These include: Art Progression, Special Effects, Photography, Editing, Assistant Director, Production Progression, and Storyboard.

Minor Audio Credits
This listing provides full credits for all of the minor audio staff responsible for assisting the main audio staff with the audio/sound aspects of each episode. These include: Recording, Sound Effects, Music Selection, and Audio Director.
Information/Images by: DBW & Hujio